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雷文凤是一位美国华裔脑科医生，个性执着认真，追求心中真理，但行事常不拘常规，因此饱受争议。童年经历母亲被误认死亡的悲剧，深深影响了他，导致与家人关系疏远。他靠奖学金赴美求学，成为杰出的脑科医生。与女友叶敏关系紧张，但后来受一封患病孩子的信启发，开始改变。雷文凤帮助八岁的东东实现了他的愿望，但因使用未检定药物被取消医师资格。他与阿彩成为拜把兄弟，后者引他到郑氏药厂工作。郑登是药厂老板，曾因卖假药致人瞎眼，文凤发现他杀害了阿彩的父亲。尽管阿彩放弃追究，文凤却义无反顾，导致被送往精神病院，但他逃回港展开追杀行动。最终，郑登被逼无奈，开枪射杀了文凤，后者临终前笑称终于将他绳之以法。文凤以自己性命为代价，让郑登受到法律制裁。阿彩与皓皓复合，生下儿子，凯棉也找到了真爱。文凤的故事被写成小说，叶敏坚守对他的承诺，让守义长大后自行判断。。纽约州人民集体控告克劳蒂心智不健，行为威胁大众安全。可怜的克劳蒂完全被吓坏了，她的坦率直言，竟被形容为具有杀伤力，目中无人，于是她振作精神；全力反控，一场法院里的审判会，与法院公设辩护人员展开精彩辩论……。Umberto Lenzi is undoubtedly the king of Italian crime movies, but unfortunately| Syndicate Sadists is not the best examples of his work in this genre. Lenzi's crime flicks tend to be a cut above the rest because he makes films based on stories with a point, and they don't lack direction| but this film feels a bit too wayward to fully fit with the rest of his stuff. The film takes obvious influence from Sergio Leone's landmark western 'A Fistful of Dollars' (which in turn, took influence from Akira Kurosawa's landmark samurai flick Yojimbo), in that it features two warring families and a strong character at the centre. The crime that Lenzi focuses on is kidnapping, and we centre on a character called 'Rambo'. Rambo is dragged into the war between the two families after his brother is killed because of it. Rambo uses his brains and brawn to pit the two families against one another, in the hope of gaining revenge for his brother's death, rescuing a young boy that they've kidnapped, and ultimately letting the two sides destroy one another. The film's biggest asset is undoubtedly Tomas Milian. Milian was put to great use by Lenzi in almost all of his crime thrillers. The range of characters he has played for Lenzi is immense, and this one is easily one of the coolest. The character is called Rambo, which immediately sprang to mind the popular Sylvester Stallone character - but for once, the Italians actually haven't stolen this name as Syndicate Sadists was released first! As usual, the film is wickedly entertaining, as we get to watch Milian get himself involved in the usual array of car chases, shootouts and brawls. Lenzi has got him riding a motorbike this time round, and every scene featuring it and Milian is a real standout! However, the film often feels like it doesn't really have anywhere to go, and this means that the running time is stretched out more than it should be. Compared to the crime films of other Italian directors, Syndicate Sadists is more than above average| but in relation to Lenzi crime flicks such as Almost Human and The Cynic, The Rat and The Fist - it doesn't stand tall as one of Lenzi's best. Still, if you're looking for ninety minutes of testosterone fuelled mayhem - Syndicate Sadists will suffice!。