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全片共7集，每集聚焦一个中国最极致的地理与生态单元。从世界第二大的流动沙漠——塔克拉玛干沙漠，到全球中低纬度带最大的冰原——普若岗日大冰原，从世界上规模最大最丰富的喀斯特地貌区——中国南方喀斯特，到全球最大、最深的峡谷——雅鲁藏布大峡谷，从江河并流的世界奇观——“三江并流”，到中国最北的极寒之地——根河与漠河，以及中国最北的江河汇流之海——黄渤海，于最典型的季节、最关键的时刻，深入这些独特的自然家园，透过极致之地的地理之美、生命之奇，去遇见最极致的中国，“共建万物和谐的美丽家园”。。The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。生活在老人之家的男孩，和三位瘋狂長輩聯手偵辦珠寶竊盜事件，破案過程緊湊刺激，收穫珍貴的忘年之交。。